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Lens on Syria: Thirty Years of Contemporary Cinema
- FILMS
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Above
the Sky of Damascus (Fawqa Sama’ Dimashq) by Fuad
Nirabiye and Edgar Jinbachian (Syria/Canada, 2004, 40 minutes, Color,
Beta SP) |
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A
Flood in Baath Country (Tufan fi Balad el-Ba‘th)
by Omar Amiralay (Syria/France, 2003, 46 min, Color, DigiBeta PAL
and DV-Cam NTSC) |
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Al-Lajat
by Riyad Shayya, (Syria, 1996, 90 min, Color, Beta SP PAL and
DV-Cam NTSC) |
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A
Land for a Stranger (Turab al-Ghuraba’) by Samir
Zikra (Syria, 1998, 150 min, Color, 35 mm) |
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| A
Moment of Joy (Lahthat Farah), by Walid Hreib (Syria,
2001, 5 minutes, Color, 35 mm) |
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A
Plate of Sardines –or The First Time I Heard of Israel
(Tabaq el-Sardin), by Omar Amiralay (Syria/France, 1997, 17 min,
Color, DigiBeta PAL and DV-Cam NTSC) |
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A
Silent Cinema (Un Cinema Muet) by Meyar al-Roumi (Syria/France,
2001, 29 min, Color, Beta SP PAL and DV-Cam NTSC) |
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At
Our Listeners' Request (Ma Yatlubuhu al-Musstami‘un),
by Abdellatif Abdul-Hamid (Syria, 2003, 89 minutes, Color, 35mm) |
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| Before
Vanishing (Qabla el-Ikhtifa’), by Joude Gorani (France/Syria,
2005, 18 min, Color, DigiBETA PAL) |
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Blue-Grey
(Azraq Ramadi), by Mohammad al-Roumi (Syria/France, 2004, 23 minutes,
Color, Beta SP PAL and DV-Cam NTSC) |
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Dreams
of the City (Ahlam al-Madinah) by Mohammad Malas (Syria,
1983, 120 min, Color, DigiBETA PAL and DV-Cam NTSC) |
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Everyday
Life in a Syrian Village (al-Hayat al-Yaomiyyah fi Qaryah
Suriyyah) by Omar Amiralay (Syria, 1974, 85 min, B&W, DigiBeta
PAL and DV-Cam NTSC) |
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Exodus
(al-Tirhal) by Rémond Boutros (Syria, 1997, 108 min, Color,
35 mm) |
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Film-Essay
on the Euphrates Dam (Film-Muhawalah ‘An Sadd al-Furat)
by Omar Amiralay (Syria, 12 minutes, B&W, 1970, DigiBETA PAL
and DV-Cam NTSC) |
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| The
Greedy Ones (al-Tahaleb) by Rémond Boutros (Syria, 1991,
90 min, Color, 35 mm) |
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| The
Half-Meter Incident (Hadithat al-Nosf Metr), Samir Zikra (Syria,
1981, 110 min, Color, 35 mm) |
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Journey
Into Memory (Rihla fi al-Thakira) by Hala Mohammad (Syria/Qatar,
2006, 45 min, Color, DigiBETA PAL and DV-Cam NTSC) |
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Just
Get Married! by Hussam Chadat (Syria/Germany, 2003, 20 minutes,
Color, Beta SP PAL) |
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| Today
and Everyday (Al-Yaom wa Kull Yaom) by Oussama Mohammad
(Syria, 1986, 13 minutes, Color, 35 mm) |
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Nights
of the Jackals (Layali Ibn Awah), by Abdellatif Abdul-Hamid
(Syria, 1989, 102 min, Color, 35 mm) |
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| Our
Hands (Aydina), by Abdellatif Abdul-Hamid (Syria, 1982, 14 min,
Color, 35 mm) |
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Passion
(Bab el-Maqam) by Mohammad Malas (Syria/France/Tunisia, 2004, 90
minutes, Color, 35 mm). |
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Sacrifices
(Sunduq ad-Dunya) by Oussama Mohammad (Syria/France, 2002, 113 min,
Color, 35mm) |
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Shadows
and Light, the Last of the Pioneers: Nazih Shahbandar (Nouron
wa Thilal) by Mohammad Malas, Oussama Mohammad and Omar Amiralay
(Syria/France, 1994, 52 min, Color, Beta SP PAL and DV-Cam NTSC) |
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Stars
in Broad Daylight (Nujum al-Nahar), by Oussama Mohammad
(Syria, 1988, 115 min, Color, Beta SP PAL and DV-Cam NTSC) |
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Step
by Step (Khutwa Khutwa) by Oussama Mohammad (Syria, 1978,
22 minutes, B&W, DigiBeta PAL and DV-Cam NTSC) |
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The
Chickens (al-Dajaj) by Omar Amiralay (Syria, 1977, 40
minutes, B&W, DigiBeta PAL and DV-Cam NTSC)) |
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The
Dream (al-Manam) by Mohammad Malas (Syria, 1981, 45 min,
Color, DigiBETA PAL and DV-Cam NTSC) |
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The
Dupes (Al-Makhdu‘un) by Tawfiq Saleh, (Syria, 1972,
120 min, b&w, 35mm) |
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The
Extras (al-Comparss), by Nabil Maleh (Syria, 1993, 105
min, Color, 35 mm) |
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The
Night (al-Leyl), by Mohammad Malas (Syria, 1992, 116
min, Color, 35 mm) |
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The
Pot (al-Qarura)) by Diana el-Jeiroudi (Syria, 2004, 20
min, Color, DigiBETA PAL and DV-Cam NTSC) |
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There
Are So Many Things Still To Say… (Hunalika Ashiya’
Kathira Kana Yumken an Yatahadath ‘Anha al-Mare’…),
by Omar Amiralay (Syria/France, 1997, 50 min, Color, DigiBeta PAL
and DV-Cam NTSC) |
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The
Wash (Vaskeriet) by Hisham el-Zouki (Syria/Norway, 2005,
8 minutes, Color, DigiBETA NTSC) |
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| They
Were Here (Innahum Kanu Hun) by ‘Ammar el-Beik (Syria,
2000, 8 min, Black/White, Beta SP NTSC) |
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| Under
the Ceiling (Tahta al-Saqf), by Nidal el-Dibs (Syria,
2004, 90 minutes, Color, 35 mm) |
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| Verbal
Letters (Rassa’el Shafahiyyah), by Abdellatif Abdul-Hamid
(Syria, 1991, 105 min, Color, 35 mm) |
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White
(Abiad), by Antoinette Azriyeh (Syria, 2000, 20 minutes, Color,
35mm) |
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