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Lens on Syria: Thirty Years of Contemporary Cinema
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Lens
of Syrian - Eight Vanvouver Premieres!
The summer starts with Syrian Cinema "The Road to Damascus"
Winds Through Vancouver
July 6-12
Pacific Cinémathèque, 1131 Howe Street, Vancouver
VANCOUVER — One of cinema's best kept secrets
— a most rare, beautiful and provocative secret — is
finally revealed. This summer, Vancouver audiences will have an
unprecedented opportunity to engage with the remarkable cinema of
Syria, when Pacific Cinémathèque presents The Road
to Damascus: Discovering Syrian Cinema, featuring nine compelling
masterpieces from international arts nonprofit ArteEast's Syrian
touring showcase.
Politically timely and relevant, and representative
of one of the richest — albeit lesser-known — world
cinemas, ArteEast's Syrian program has been a long ten years in
the making. After its successful debut at New York's Lincoln Center
and Chicago's Gene Siskel Film Center earlier this year, this "adventurous
film series" (New York Times), Arab cinema's "best kept
secret" (Lincoln Film Center), makes its first of only two
Canadian stops, July 6-12 at Pacific Cinémathèque.
One of the most compelling feats of Syrian filmmakers
has been their ability to craft an unabashedly independent voice
despite the fact that their films are produced by the state, a stellar
achievement in Arab cinema. These remarkable films do not shy away
from making poignant and social and political critique, far removed
from dogma and didactism; and often the microcosm of a single family
represents the nation.
Included in this series are films by Mohammad Malas
(The Night, Dreams of a City ) and Oussama Mohammed (Sacrifices,
Stars in Broad Daylight ), who, like other Syrian filmmakers in
the series, studied at VGIK, the great Soviet film school in Moscow,
and whose amazing work and innovative blending of personal and historical
narratives have long been unavailable to Canadian audiences.
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Screening
Schedule:
The
Night (al-Leyl)
Syria 1992. Director: Mohammad Malas
Thursday, July 6 – 7:15 pm
Sunday, July 9 – 9:30 pm
Sacrifices
(Sunduq ad-Dunya)
Syria/France 2002. Director: Oussama Mohammad
Thursday, July 6 – 9:30 pm
Friday, July 7 – 7:15 pm
Stars
in Broad Daylight (Nujum an-Nahar)
Syria 1988. Director: Oussama Mohammad
Friday, July 7 – 9:25 pm
Under
the Ceiling (Tahta al-Saqf)
Syria 2004. Director: Nidal Dibs
Saturday, July 8 – 5:30 pm
Thursday, July 13 – 7:15 pm
At
Our Listeners’ Request (Tahta al-Saqf)
Syria 2003. Director: Abdullatif Abdul-Hamid (aka For the Pleasure
of Our Listeners)
Saturday, July 8 – 7:30 pm
Monday, July 10 – 9:30 pm
The
Extras (al-Comparss)
Syria 1993. Director: Nabil el-Maleh
Saturday, July 8 – 9:15 pm
Wednesday, July 12 – 7:30 pm
A
Land for a Stranger (Turab al-Ghuraba’)
Syria 2003. Director: Abdullatif Abdul-Hamid
Sunday, July 9 – 4:00 pm
Thursday, July 13 – 9:00 pm
Dreams
of the City (Ahlam al-Madina)
Syria 1983. Director:Mohammad Malas
Sunday, July 9 – 7:15 pm
Verbal
Letters (Rasa’el Shafahiyyah)
Syria 1991. Director: Abdullatif Abdul-Hamid
Monday, July 10 – 7:30 pm
Wednesday, July 12 – 9:30 pm
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Ticket
Information:
$8.50 Adult Single Bill
$10.50 Adult Double Bill
Buy on-line tickets at www.cinematheque.bc.ca
24hr Film Infoline: 604 688 FILM
Media Contact, Vancouver: Steve Chow, Communications Manager
Pacific Cinmathèque
604 688 8202 x226
steve.chow@cinematheque.bc.ca
Media Contacts, New York: Rasha Salti, ArteEast
Mobile: 347-448-1291 (until July 8th)
Livia Alexander, ArteEast
718-832-6564 (after July 8th)
For more additional information:, see the July+August edition of
the Pacific Cinémathèque Program Guide,
or visit http://www.cinematheque.bc.ca/july_aug_06/syria.html
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| ACKNOWLEDGEMENTS:
This program is part of "Lens on Syria: Thirty Years of Contemporary
Syrian Cinema," a touring exhibition organized by ArteEast (www.arteeaaste.org),
a non-profit arts organization based in New York that promotes the
arts and cultures of the Middle East. The tour is travelling to various
venues in North America from May to September 2006. Special thanks
to Rasha Salti and Livia Alexander of ArteEast for their helpful assistance
in making this Vancouver presentation possible, and to the Film Society
of Lincoln Center in New York , where the program was first presented,
and from whom we have borrowed our exhibition title. |
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