Jayce Salloum

Title: at the end of the ‘Nation state’ (October 25, 1992) implacable depositions surrounded by the ruins of desire frontiers tendencies scrambled lodgings and detritus of fact(s) left unchallenged unchanged, on the way to the Bourg/Place des Martyrs, unifying lines disenchanted forces leading.
rue Damas/the Green Line, Beirut.
Media: C print
Date: 1992
Dimension: 16 x 20 inches
Edition: 3/3

Artwork courtesy of the artist

Starting Bid: $900

Biography:
Jayce Salloum has been working in installation, photography, video, mixed media, and performance, since 1975, as well as curating exhibitions, conducting workshops and coordinating cultural projects. A media arts philosopher and cultural activist, Salloum has lectured internationally and exhibited throughout the Americas and Europe, and in East Asia and the Middle East, at institutions including, The Museum of Modern Art, New York; National Gallery of Canada; Walker Arts Center; The Wexner Center; Long Beach Museum of Art; American Fine Arts; Kunstlerhaus Bethanien; Nationale du Jeu de Paume; Rotterdam International Film Festival; Singapore International Film Festival; British Film Institute; Museo Nacional Centro De Arte Reina Sofia; and CaixaForum, Barcelona.

In 2003 he represented Canada at the 8th Havana Biennial.